My work, primarily large-scale installations, is composed of many small images, highlighting the different iterations in which memory exists. The images are sourced from personal archives and reimagined with AI acting as a filter over the old image. The new image closely echoes the original, the reminiscent nature creating a sense that something is off that you cannot quite pinpoint. Through the fallibility of memory, exploration of self, and advancing technologies with AI, unnoticed and often overlooked things are brought into view. In doing so I capture personal, internal, psychological experiences, the weight that they carry, and their social impact.

In making the AI images I fully control the inputs, models, and settings that create each image. A loop is created between digital and analog image-making, referencing the constant feedback between the self and socially constructed external, altering forces, through both AI and photo processes. The final product is displayed through multiple printing processes – standard inkjet, silver gelatin, wet collodion, and cyanotype – that fix the transformed images into a physical form, some being more stable than others. Internal experiences, and how they are influenced by social conditions, are rendered visible as a collection of photographs.